I always associate Primal Scream's "Swastika Eyes" with late nights on the M25. Not a good idea to play it in the day time, because it's one of those songs that tempts you to put your foot down.
And Wire's "Dot Dash" perfectly captures the oddly monotonous fear of driving on a busy British motorway when you're caught up in a block of vehicles at high speed that are all far too close together.
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And Wire's "Dot Dash" perfectly captures the oddly monotonous fear of driving on a busy British motorway when you're caught up in a block of vehicles at high speed that are all far too close together.